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The Hollywood Vampires

 

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Steele - Vocals
Stacey - Lead & Rhythm Guitar/Backup Vocals
Wade - Rhythm & Lead Guitar
Dorian - Bass/Backup Vocals
Tommy - Drum & Percussion

A Brief History:

The actual term 'Hollywood vampire' has been around for a very long time, even before it was ever used in conjunction with any of the Rolling Stones (if memory serves correctly, at least), and while as of late, the name has been most connected with L.A. Guns due to their incredible 1991 release Hollywood Vampires, there is an entire other facet to the name, a facet that most of the world doesn't know about.  One night in the Rainbow, back in the days after Tracii Guns, a half-vampire guitarist extraordinaire, had left the fledgling Guns 'N Roses, the five half-vampire members of the soon-to-be L.A. Guns were hanging out with their full-blooded vampire counterparts (minus Wade, as he didn't come to Hollywood until 1990), and were playfully bandying band names around, trying to figure out what to call themselves.  It had come down to the names L.A. Guns, which was the original name for Guns 'N Roses, and Hollywood Vampires, which was thought to be a most appropriate name for a band comprised of vamps from Hollywood.  But as things went, the name of L.A. Guns was chosen, because the name Hollywood Vampires was something of a misleading moniker . . . after all, the five members of the new band were all half-vampires, able to go out in the sunlight and do all of the things that most 'normal' bands do.  Phil Lewis thought it a friendly gesture towards the gang in Hollywood if they left the name for them, in case they wanted to get a band by that name together, and the rest was history, at least concerning the name.

Back in 1987, Clarisse, Brandi, and Wade had yet to come to Hollywood, and the bunch that hung out with one another consisted of Steele, Stacey, Dorian, Tommy, Donita, and Katheryne, and the six of them often monkeyed around with different band configurations amongst themselves, playing clubs and the like just for the sheer fun of it.  Around 1988, a steady band lineup emerged from all of this playing around, and the original incarnation of the Hollywood Vampires was formed, with the lineup of Steele on vocals, Stacey on lead and rhythm guitar, Donita on occasional vocals, and rhythm and lead guitar, Dorian on bass, and Katheryne on drums.  Tommy would do the odd bits here and there, such as contributing keyboards and taking care of a lot of the stuff during the stage show, but at the time he wasn't interested in getting into a full-time band, as he was getting deeply immersed in some occult archeological studies with another vamp at UCLA, and because he could only get to the campus at night, he tended to be extremely busy at the time.  This lineup appears on the releases Gutter Royalty and I Stole Your Girlfriend AND Your Car, and was rather successful, giving spectacular shows and gaining a solid fanbase among the rock mavens in L.A.  Donita sang on several of the early Vampires' songs, also, and she would often provide backup vocals during songs, as did Dorian.  While Steele was, and still is, the primary vocalist for the Vampires, he has no problems letting someone else step up to the mic, so he often shared vocal duties with any of the others that were interested . . . Stacey made an appearance for an especially raucous version of "Whole Lotta Rosie" on Gutter Royalty.

Clarisse made her appearance in Los Angeles in late 1988, and while she never became a formal member of the Hollywood Vampires band, she would often fill in for members of the band for fun, and at various points in the ensuing couple of years, she had done duties in every musical facet of the band.  Some nights she would play guitar, on other nights, bass, and still others drums . . . for a while, she was singing for the Vampires nearly every time they played, because Steele loved to hear her sing and liked what she could do with the songs.  So Clarisse is often referred to as the sixth member of the original Hollywood Vampires lineup, though nobody ever bothered to make anything official, Clarisse included.  As she says, "I just did it because it was fun . . . I could have cared less if I was officially stamped or not, just as long as I got to fool around with 'em."

Changes came to pass in 1990, as both Brandi and Wade came to Los Angeles, and some lineup alterations came to pass, though they weren't the catalysts to them, as things were already in the works.  Clarisse, Donita, and Katheryne had been discussing forming their own band to see what they could do with it, as there was a dearth of all-female rock bands on the Sunset Strip, and they wanted to do something different.  Tommy, in the meantime, had shown interest in playing with the band on a regular basis, perhaps similar to what Clarisse did, and Steele especially wanted some sort of arrangement with him figured out, because he vastly enjoyed Tommy's devastatingly powerful yet ultra-precise style of drumming.  So it worked out that the three women went off to do their own thing, while the Hollywood Vampires continued with three of its original members plus Tommy.  The three female vampires got together a raunchy hard rock outfit called Puss In Boots, and they made quite a stir during their six months of existence, showing people that women could rip it up just as well as the boys could, sometimes even better.  Wade became a member of the Hollywood Vampires in an interesting way . . . one day, in the Catacombs, the foursome were practicing for their first full album, Sex, Blood, & Rock 'n Roll, when Wade walked into their rehearsal area, guitar in hand, and politely asked if he could jam with them.  Nobody had ever seen the big vampire before, and had no idea where he was from . . . he gave no information regarding his origins, and his introduction was simply, "I'm Wade."  The guys figured why not?  So they let Wade plug in and jam with them, and by the time the session was over four hours later, they were rather insistent about letting him join, and Stacey was most vehement, because he wanted another guitarist to play with and play off of during shows since Donita wasn't there any more.  As legend has it, Wade smiled, nodded, and said that he'd be very happy to become a member of the band.  And so the lineup for the Hollywood Vampires was finalized on that day, and they've been together ever since, periodically putting out albums and EP's, and confounding record label after record label with their steady refusals to sign.  Elektra was so insistent at one point that their representative would not leave the Vampires alone, so Stacey and Dorian took it upon themselves to start mailing dead fish with extremely polite refusal letters wrapped around them . . . after four fish, Elektra finally gave up.  What's funny, though, is that rumors are going that Elektra may try to sign the Vampires yet again . . . Stacey and Dorian are getting the fish ready.

Releases:

The Hollywood Vampires are not signed to any record label, and therefore their releases are very limited in quantity.  The albums and EP's, which consist of an approximately equal mix of cover songs and originals, are all self-produced in the music studios found beneath the city, in the Catacombs, and the ever-diligent Tommy takes care of all of the CD mastering and printing duties.  Album artwork usually consists of pictures and paintings contributed by fans, or sometimes pictures done specifically for the album . . . such is the case for 1990's I Stole Your Girlfriend AND Your Car, which features a close-up picture of Stacey giving the observer a very large middle finger.  While official copies of these releases tend to be hard to come by within a month of their release, bootleg copies, both on tape and CD, can be found fairly easily if you know the right people.

Gutter Royalty EP (1989) 500 copies made
I Stole Your Girlfriend AND Your Car EP (1990) 500 copies made
Sex, Blood, & Rock 'n Roll (1991) 2000 copies made
Hedonism & The Modern Vampire (1994) 2000 copies made
I Made The Devil Do It EP (1996) 700 copies made
Snipehunting On The Strip EP (1997) 700 copies made
How to Quit Whining And Learn To Rock Out In Thirteen Easy Lessons (1998) 2500 copies made
Tales From The Tropicana EP (2000) 1000 copies made

Typical Hollywood Vampires Setlist:

Can't Remember (Erotic Suicide Cover)
Starlight Stalker
Blood Junkie
Wreck 'N Ruin
Brain Damaged
Where There's A Whip There's A Way (Faster Pussycat Cover)
Buzzsaw (Instrumental)
Too Much Ain't Ever Enough
Lily
Good Girls Go To Heaven, Bad Girls Get Into My Backseat
Lick Summer Love (Hanoi Rocks Cover)
S.L.U.T.
(Can't Get No) Satisfaction (Rolling Stones Cover)
Screamer

Encores
While You Were Lookin' At Me (Michael Monroe Cover)
Do Ya Want Another? (Nasty Idols Cover)
Love's A Bitch And So Are You
Scratch My Back (Roxx Gang Cover)

If you'd like a good idea of what the Hollywood Vampires' music sounds like, check out the following:

Roxx Gang - Here's a no-brainer, eh?  The Hollywood Vampires sound very much like Roxx Gang, particularly their Things You've Never Done Before and The Voodoo That You Love albums, as the Vampires have a heavy dark glam sound with some pronounced blues overtones, and those two Roxx Gang albums have got 'em just about totally nailed.  And of course, Steele's vocal capabilities and delivery are very close to those of Roxx Gang frontman Kevin Steele's, with Steele having a somewhat bigger range, due to his very flexible vampiric vocal cords.

L.A. Guns - The other big piece of the musical puzzle of the Hollywood Vampires, the dark glam sound of L.A. Guns' guitar-heavy rock 'n roll is perfectly-suited for the Hollywood Vampires, and Tracii Guns' guitar prowess is very similar to what Stacey can dish out on his six-string.  L.A. Guns songs such as "Over The Edge," "One More Reason," Long Time Dead," "Sex Action, "Letting Go/Slap In The Face," and "Rip And Tear" are very indicative of what the music of the Hollywood Vampires would sound like.  Think of the Hollywood Vampires as being a high-octane cross between Roxx Gang and L.A. Guns.